Behind the choice of format (portrait / landscape) lies the pictorial research, outcome itself by the manifestation of chance.
A storyboard is drawn in the imagination, made by the redundancy of overlapping forms and the persistence of colors’s vision, printing with the dissolute contours a form of narration.
But the narration own to the reader, whose imagination makes the author of what he sees with what he wants to see. Freedom remains for him to choose its story, by the index of figurative recognition he will receive in abstraction. Ownership is fruit of acceptance of corresponding formal scheme may at its own cognitive structure.
For instance, with two pictures, a narrative principle implements, as if one opened the way to the other.
Immobility moves by its own internal movement, a latent kinetic yet there triggers.